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Violence in the media essays

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TRAINING AND CONTINUING EDUCATION. Violence In The. Multiple training courses in custom essay service accordance with the media essays, continuing education requirements of the write a proposal example, Ordre des administrateurs agrees du Quebec. In The Media Essays. Universite Laval – La gouvernance des PME (2011) Universite Laval – Diplome du College des administrateurs de societes (2007) Techniques en gestion d’inventaire (1999 Concordia University Executive Training Program) American Production Inventory Control Society (APICS) (1983 Philips Information Systems) Architectures de design de microprocesseurs et programmation en langage machine (1976 AM International) Electrotechnologies – (College Dawson 1971-1974) Membre de l#8217;Ordre des administrateurs agrees du Quebec Membre du Cercle des administrateurs de societes certifies de l’Universite Laval Membre du Cercle des honoraires du Regiment de Maisonneuve Juge pour le concours international d’etude de cas – John Molson School of argumentative essay Business (2011-2016). Violence Media Essays. Centre de recherche Volvox (1991-1993) Membre du conseil d’administration et partenaire technologique Printing Industries of help for essays America (Alexandria, Va. 1993-1995) Electronic Pre-press Council Conseiller technologique et membre fondateur. In The Media Essays. Bill Nash for how to write a proposal paper mayor of in the media essays Hudson Campaign Slogan. Custom Essay Writing Service. Bill Nash for violence Mayor of drinking Hudson. In The Essays. William P. University Roommate Essay. (Bill) Nash, ASC, Adm.A, C.Adm, C.Dir. Essays. (ADMINISTRATEUR DE SOCIETE AGREE, CHARTERED DIRECTOR) ENGLISH VERSION TOP OF PAGE. Second Paper. EXPERIENCE PROFESSIONNELLE DE BILL. Violence In The Essays. Ressource conseil en gestion. Write Paper. Croissance et infrastructure enterprises (PME) Coaching pour la releve intergenerationnelle Planification strategique Gouvernance d#8217;entreprise.

Technologies de l’information Controles financiers budgets et couts Strategies manufacturieres, approvisionnement, developpement international Systemes de gestion de la qualite. (avril 2010 – janvier 2014) Chef de file dans l’industrie de la securite, Genetec est une societe montrealaise qui offre des solutions de pointe en matiere de securite sur IP qui comprend la videosurveillance a grand deploiement, le controle d’acces et la reconnaissance automatique de plaques d’immatriculation. Violence In The Essays. L’entreprise se situe au deuxieme rang au niveau mondial. Custom Writing Service. Assurer la croissance et la saine gestion de l’entreprise Developpement, mise en place et suivi des structures budgetaires Planification strategique Soutien technique-service a la clientele La formation Les technologies de l’information Gestion des risques. Violence In The Essays. Coaching et mentorat aupres de l’equipe de gestion Mise en application des principes de saine gestion Conception des tableaux de bord de gestion incluant la gestion des risques Restructuration de l’entreprise par lignes d’affaires Conception et mise en ?uvre du plan financier triennal – budgets Restructuration des operations manufacturieres Conception et mise en ?uvre de principes qualitatifs de l’evaluation du. Second In Thesis. rendement des employes. Violence In The Essays. PME ?uvrant dans l’industrie de la fabrication a contrat dans le domaine de la haute technologie.

Coaching et mentorat au comite executif en situation de releve ; Planification strategique et transformation de l’entreprise ; Gestion des risques Reingenierie des processus d’affaires avec une attention particuliere a la gestion de la chaine d#8217;approvisionnement Outils de gestion ; Conscientiser l’entreprise en matiere de couts ; Refonte des methodes d’estimation Developpement des affaires, positionnement d#8217;entreprise et ventes. Essay Writing. Repositionnement de l’entreprise dans ses marches cibles en s’eloignant des marches de commodites ; Developpement des elements differenciateurs a valeur ajoutee ; Mise en application des principes de controle des couts par activite (Time-based. activity costing); Definition des points de controle des couts d’operation ; Creation de la strategie en matiere de prix incluant les outils d’estimation et les methodes d’etalonnage ; Mise en application de principes de mesure et d’un tableau de bord operationnel; Mise en application des principes d’amelioration continue au sein de l’entreprise Coaching et mentorat a la fabrication principes et techniques de reduction de defectuosites ; Reduction de 90% des defectuosites de fabrication en moins d’un an in the ; Doubler le chiffre d’affaires en trois ans ; Maintenir un niveau de rentabilite soutenu superieur a la moyenne de l’industrie. In College Students Essay. (Ex-filiale des Technologies Eicon 1995) Vice-president fabrication et ingenierie. Violence In The Media. Escher-Grad concoit, fabrique et met en marche une gamme de systemes d’imagerie au laser a tres haute resolution utilises dans l’industrie des arts graphiques pour des fins d’imagerie photographique des plaques d’imprimerie. Paper. Direction generale ; Developpement de nouveaux produits ; Coaching and violence in the media mentorat des gestionnaires ; Operations manufacturieres et ingenierie (mecanique de haute precision et systemes optiques); CORPORATION LES TECHNOLOGIES EICON. Essay. (juin 1985 – avril 2001) Vice-president, Operations mondiales. Violence In The Media Essays. Les technologies Eicon concoit, fabrique et distribue des sous-systemes de messagerie unifiee qui permettent aux integrateurs de systemes et developpeurs de solutions integres de concevoir des applications de transmission de la voix, donnee et image par le vehicule de transport IP (Internet Protocol). Students Essay. Anterieurement a son acquisition par une societe privee en l’annee 2000, Eicon fut une entreprise ouverte sur la bourse TSE. In The Media Essays. Conception, mise en application, diriger et adapter l’infrastructure corporative du debut de l’entreprise jusqu’au deploiement global, atteignant ainsi un chiffre d’affaires excedant $175 M annuellement. University Roommate Essay. Direction corporative – comite executif ; Fabrication et distribution a l’echelle mondiale ; Strategies de gestion de la chaine d’approvisionnement (portefeuille $ 80M) Imputabilite en matiere de rentabilite ; Culture de la qualite – performances et normes ; Negociation de contrats ; Conception et mise en application des processus d’affaires ; Direction des Technologies de l’information ; Design graphique – identite corporative et image de commerce (branding). Essays. Realisations – les faits saillants : Direction active de l’evolution en croissance de l’entreprise en matiere de culture corporative dans les communications, collaborations interdepartementales, les ressources humaines ainsi que la sensibilisation aux principes de la qualite ; Creation et direction d’une structure de gestion decentralisee axee sur la responsabilisation et l’imputabilite regionale en matiere de contribution a la rentabilite ; Conception et direction des operations manufacturieres et de distribution en Amerique du Nord, l’Europe et l’Asie ; Conception et mise en application d’une strategie globale de gestion de la chaine d#8217;approvisionnement afin d#8217;alimenter 9 usines de fabrication en materiaux et composants et ce, sur trois continents. Drinking Students Essay. – fabrication annuelle depassant 1M d’unites de produit ; Negociation de tous les contrats d#8217;approvisionnement.

Implantation et direction d’un centre de fabrication, de distribution et de. In The. recherche a Dublin, Irlande ; Conception et mise en application des indicateurs cles de performance alignes aux objectifs de l’entreprise ; Initier et diriger la mise en application de progiciels de gestion integree (ERP) au niveau mondial. Ce fut realise a temps et sans depassement budgetaire. Drinking In College Students. Philips Information Systems/Micom Data Systems soutien technique mondial et direction de projets d#8217;ordinateurs personnels ; AM International inc. In The Media Essays. et Victor Canada ltee Service d#8217;appareils bureautiques et de systemes typographiques. Second Author Paper. Corporation Felix Hubert d’Herelle (Juin 1995 -Juin 2015) Membre du conseil (1995-2000) President du conseil d’administration (2000 -2015) La Corporation a pour mission d’assurer un milieu de vie, des soins et un accompagnement adapte aux personnes vivant avec le VIH / sida dans une perspective de sante globale et en complementarite avec les reseaux publique et communautaire du systeme de sante et des services sociaux. Violence In The Media. L’accompagnement offert par la Corporation est axe sur la qualite de vie et la reduction du stress associe a la confrontation avec une maladie chronique degenerative dont l’issue reste trop souvent fatale. On Declaration. Direction generale de la societe Coaching et mentorat aupres de la direction Croissance en capacite et services Controles financiers budgets. Media Essays. Societe d’assurance automobile du Quebec. Paper. (Juin 2004 – octobre 2009) Membre du conseil d’administration Membre du comite des ressources humaines Membre du comite des technologies de l’information. La Societe a pour mission de proteger la personne contre les risques lies a l#8217;usage de la route. In The Essays. Elle mene des actions de promotion de la securite routiere et de prevention ; Elle fixe les contributions d#8217;assurance et gere le patrimoine fiduciaire ; Elle gere l#8217;acces au reseau routier (le permis de conduire et l#8217;immatriculation des vehicules) ; Elle surveille et controle le transport routier des personnes et des biens ; Elle indemnise les personnes accidentees de la route et facilite leur readaptation. Stanford University Essay. Retour a l’equilibre budgetaire Manque a gagner annuel de 500M en 2004 – atteinte de l’equilibre en. Violence. 2009 Mise a niveau des contributions d’assurance Amelioration du bilan routier Bilan des deces en baisse de 21% sur cinq ans Bilan des blesses graves en baisse de 32% sur cinq ans Restructuration organisationnelle de la societe.

Multiples formations conformement aux exigences de formation continue de l’Ordre des administrateurs agrees du Quebec. A Proposal Example. Universite Laval – La gouvernance des PME (2011) Universite Laval –Diplome du College des administrateurs de societes (2007) Techniques en gestion d’inventaire (1999 Concordia University Executive Training Program) American Production Inventory Control Society (APICS) (1983 Philips Information Systems) Architectures de design de microprocesseurs et programmation en langage machine (1976 AM International) Electrotechnologies – (College Dawson 1971-1974) Membre de l#8217;Ordre des administrateurs agrees du Quebec Membre du Cercle des administrateurs de societes certifies de l’Universite Laval Membre du Cercle des honoraires du Regiment de Maisonneuve Juge pour le concours international d’etude de cas – John Molson School of violence in the essays Business (2011-2016). University Essay. Centre de recherche Volvox (1991-1993) Membre du conseil d’administration et partenaire technologique Printing Industries of violence America (Alexandria, Va. 1993-1995) Electronic Pre-press Council Conseiller technologique et membre fondateur. A Proposal Example. Bill Nash pour la Mairie de Hudson, Slogan de campagne 2017.

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Rogerian Argument Topics Essays and Research Papers. For hundreds of years there had been only one excepted way of written argument , which was Aristotle’s model. Now there are several more, . Media Essays? including Rogers and the Toumlin Rhetoric’s. Every day we face different situations, some good some bad. When the one situation comes up where you are left in disagreement with another person, have you ever thought of how you can argue over introduction help the matter?

Clearly most do not, and will argue their point until they win or the other person finally understands. Violence Media? I can honestly. Argument , Aristotle , Carl Rogers 1786 Words | 5 Pages. write/make a good Rogerian argument in your essay, it is important to keep in mind some important outlines and pointers as well . How To Paper? keeping in mind your Rogerian argument topics and ideas. While conventional wisdom might tell you to violence in the media, simply consider the common grounds between your proposition and the opposing argument , it is likewise crucial to get a formidable grasp of what you're really trying to argue and essay, the opposing views to violence essays, it. Here are a few tips for writing a Rogerian argument that you can use.

Argument , Argumentation theory , Arguments 676 Words | 2 Pages. ‘’Evaluate the Claim That Person-Centred Therapy Offers the on declaration of independence Therapist All That He/She Will Need to Treat Clients‘’. person-centred therapy is considered one of the major therapeutic approaches nowadays, whose concepts and methods have influenced and inspired the practice . of many therapists. Different types of counsellors and essays, therapists use in argumentative essay on declaration, an eclectic way the Rogerian approach, in order to help individuals achieve personal development and growth or come to terms with specific psychological problems. Essays? In this essay, I will initially attempt to explain the person-centred approach with its therapeutic. Abraham Maslow , Carl Rogers , Humanistic psychology 2560 Words | 7 Pages. First Amendment of the U.S. Constitution.

for Americans to be able to help for essays, express disagreement without fear of reprisal. In The Media Essays? Men and women of this country have been trained for their voices to be heard. . Real life problems are often resolved through negotiation. This is stated on pages 1 and 2. Argument , according to most authorities, gives primary importance to logical appeals; however, a writer or speaker must take into account the audience’s emotional response to the subject and the way it is presented. Success in convincing the audience depends. Argument , Argumentation theory , Critical thinking 491 Words | 2 Pages. students research a question or problem and assert an writing service interpretation or solution. In The Essays? Table of Contents Course Objectives After successfully completing . this course, you will be able to: CO-1: Produce a major writing assignment from for essays identifying the topic to polishing a final draft; CO-2: apply principles of citing and documenting sources; CO-3: use the discipline-appropriate resources required for the assignment; CO-4: recognize a scholarly source; and CO-5: apply the rhetorical principles to. Bibliography , Modern Language Association , Parenthetical referencing 1901 Words | 14 Pages. Chisum Rogerian Argument , 15% of in the media essays, final grade, 1300 words Having analyzed a visual argument , a written . argument , and your own writing processes, you will now be asked to present two opposing views on the same social justice issue, and, in whatever way possible, propose a solution that would please both parties.

Rough Draft (3 printed copies) Due: 3/18 Final Draft Due: 3/20 by paper the beginning of class via Turnitin The Assignment: Using at least three sources, craft a Rogerian Argument focusing. Argument , Capital punishment , Death penalty 810 Words | 3 Pages. withstand legal challenge” (Should the media essays NBA). Binge In College? The rule he was referring to was eventually put into action, but not without disagreement from both sides of the violence in the essays . argument . The following will present to you the reasoning behind both points of stanford university roommate, view on violence media this matter. Those who oppose this rule use past players’ success as an example for their argument . According to a study by Michael McCann, a professor at Vermont Law School, of the twenty six players drafted between 2002 and stanford university roommate essay, 2005, twenty were still playing. Basketball , Cleveland Cavaliers , College basketball 1380 Words | 4 Pages. Ashley Thornton April 11, 2012 Rogerian Argument Brines Religion In Your Schools Religion, whether we realize it or not, . is a major element of American society (and also worldwide history). For many, religion is a significant part of their cultural identity. Religion plays a part in all levels of politics and is often an aspect of community events and in the, organizations.

Everyday, we all interact with people who have different religious backgrounds and how to, personal beliefs. Children born into religious. Belief , Christianity , Education 1221 Words | 4 Pages. Donica Morris Dr. Violence In The Essays? P. D. Reed March 20, 2014 Composition II Rogerian Argument : Does Facebook, Twitter and other social . networking websites do more harm than good? Twitter and custom essay, Facebook are only two of the online connections people use today to stay in contact with friends and family.

The internet is in the media a place to interact with new people and custom essay writing service, a way to be exposed to strangers. The partial anonymity available online can be used as a mask for violence media essays sexual offenders and psychos; they can appear to be ordinary. Facebook , LinkedIn , MySpace 1306 Words | 4 Pages. possibly harm the introduction for essays Earth’s planetary biosphere, or has it already done so; in in the essays, fact, many worldwide scientists have protested that the Earth is at its ‘tipping . point’ but no efforts have been adapted to save the paper in thesis biosphere? A support of this controversial topic ; congressional meeting and testimony, is from violence in the one of the paper in thesis top U.S. climate scientists, James Hansen to in the essays, Former Vice President Al Gore, with an emphasis on the cause of C02. Beyond the ozone layer is stanford roommate essay atmospherically holey, Earth’s temperature is media essays rising. Carbon , Carbon dioxide , Coal 1184 Words | 4 Pages. ESL Argument Topic Are we too dependent on internet? Nowadays, more and more people depend very heavily on the internet . because of introduction, studying, working and violence media, living. Internet has become one of most important parts in modern life.

As the outstanding achievements of modern science and technology revolution, the rapid development of internet into the various domains of society. The internet changed human living mode. The internet is introduction help advantageous because of violence in the media, it lets us search the information, shop and. History of the Internet , Internet , Massively multiplayer online game 1017 Words | 3 Pages. Rogerian Argument: Airport Scanners. ? Rogerian Argument Research Paper Millions of people fly annually.

Almost everyone has or will travel by plane in his . lifetime whether he is traveling for the holidays, visiting family, or important business trips. This must mean that they must have been at an airport, and university, if they have been to an airport, that means they have shared the experience of airport scanners. Violence? After 9/11, security measures have been increased which seems to have led to racial profiling. The major frustrations for many. Airport security , Background radiation , Federal Air Marshal Service 1715 Words | 5 Pages. Amber Smith Critical Thinking Rogerian Argument Zombies have taken over.

They dominate television shows, movies and . anything else related to pop culture and have become increasingly more popular as the years progress. Whether it’s a mob of zombies sucking the brains out of a helpless victim on the big screen or zombies terrorizing families on television shows, it is hard to ignore the write paper gory entourage. Fans of zombie lore generally fall into violence essays, two categories: those who are attracted to the popularity. Brain , Cerebellum , Cerebral cortex 1139 Words | 3 Pages. Rogerian Argument Drilling in ANWR.

?To Drill or Not to Drill, That is the Question: Finding Common Ground in introduction help for essays, the Battle Over ANWR The Alaskan National Wilderness Refuge has been the . topic of in the media essays, political debate for decades. A large, beautiful piece of the world, ANWR as it is often referred to, is not a only a refuge for hundreds of introduction for essays, species of birds, fish and essays, mammals, but also a political battleground that is used to paper in thesis, ignite the debate on America’s dependence on violence foreign fuel sources. The possibility of drilling for how to write a proposal example oil in ANWR brings. Arctic Refuge drilling controversy , Exxon Valdez oil spill , Fuel 2026 Words | 6 Pages. can also face criminal charges. Punishment varies depending on violence in the whether the binge drinking essay woman consented or not to the procedure or if the fetus is six . months' gestation at in the media, the time. This is a very emotional subject that leads to passionate and controversial arguments amongst the Costa Rican society and people?s opinion on the matter is divided into two groups: pro-choice or pro-life. Argumentative Essay? Proponents of in the, legalizing abortion, or Pro-Choice, claim that women have the right to choose whether to have an abortion or not. Abortion , Abortion debate , Costa Rica 1413 Words | 7 Pages. I. Paragraph One: Introduction Topic /issue: external intervention by the international committee and world powers like the author paper in thesis United States . into the national affairs of warring nations is essential for domestic conflict resolution. Opposing view: Warring nations should be responsible for their own domestic conflicts and find ways to media, resolve them.

Others nations should limit their intervention to just the write a proposal example mediation of peace talks. Writer’s view: External military and diplomatic intervention. Art intervention , Dispute resolution , Intervention 461 Words | 3 Pages. Rogerian Argument - handguns in essays, US. users feel that if handguns are illegal it may not be impossible for criminals to obtain them but it would be much more difficult. Binge In College Students Essay? If that were true some . believe there will be a drastic decrease in gang violence and violence in the media essays, armed robbery. The ultimate argument pro-gun users have is the second amendment which states an individuals right to binge drinking in college students, keep and violence in the media essays, bear arms. They feel it is there right to paper, be able to own a gun to protect themselves from violence media essays those who want to cause harm. If guns were outlawed and criminals.

Breech-loading weapon , Cannon , Crime 553 Words | 4 Pages. with this essay? What do you hope the reader takes away from this argument ? This essays purpose is to education people about gun regulations . without favoring one side over custom essay writing service the other. By using facts and not flat out saying what your stance is, I hope to persuade the reader to not listen to the media and make their own options. 2) What did you learn from completing this assignment? Did you experience a new understanding of the topic ? Did you change your perspective after completing the research? . Cannon , Concealed carry in the United States , Crime 1579 Words | 4 Pages. ENG122: Composition II An Introduction to violence in the, Argument English 122: Composition II An Introduction to in college essay, Argument . Argument and Rhetoric An argument can take many forms. It is, at its root, a method for communicating a singular position with evidence, logic, and persuasion. There are essential elements to all valid arguments , though they may take different forms. 1. Claim 2. Violence In The? Evidence 3. Counterargument 4. Rebuttal A successful argument depends upon the delicate balance between these elements. Custom? Imagine a.

Argument , Arguments , Counterargument 1323 Words | 5 Pages. Letter from Birmingham Jail a Rogerian Argument Traditional and rogerian argumentation approaches are very . different. For instance, a traditional argumentation is more confrontational towards the opponent’s point of view as to rogerian argumentation more negotiable with the opponent’s point of view. Rogerian argumentation creates cooperation, the possibility that both sides might change, and a mutually advantageous outcome. However in a traditional argument the essays writer seeks to change the custom essay writing opponent's. African American , Discrimination , Letter from Birmingham Jail 627 Words | 2 Pages. Useful Argumentative Essay Words and Phrases Examples of Argumentative Language Below are examples of signposts that are used in violence in the, argumentative essays. . Signposts enable the how to write a proposal paper reader to follow our arguments easily. When pointing out violence in the media essays opposing arguments (Cons): ? ? ? ? Opponents of stanford roommate, this idea claim/maintain that… Those who disagree/ are against these ideas may say/ assert that… Some people may disagree with this idea, Some people may say that…however… When stating specifically why. Conclusion , Critical thinking , Idea 730 Words | 4 Pages. since the beginning of mankind.

Currently, there are only thirteen states that do not enforce the death penalty; meaning over half of the media essays nation agrees with . it. To this day, this subject remains very controversial. Paper? The main opposing view in this argument is that the death penalty is immoral; claiming that it under values human life. Also, many people with religious view oppose capital punishment because their religion preaches against the killing of any human being. In The? Is seems this is an issue in university roommate essay, which. Capital punishment , Crime , Death row 430 Words | 2 Pages. Ashley Suter Coffey WR-122 Rogerian Argument Male Sports Dominate Female Sports An issue that I have always been concerned . with is violence media how much attention male sports get, while female sports get pushed aside. Males and females put forth the same amount of effort and the same amount of hard work towards the sports they play, and in return males dominate the binge in college limelight. Arguments opposing this show that males are obviously better athletes than females.

According to Mariah Burton Nelson, controversial. Boy , Female , Gender 738 Words | 2 Pages. 20 April 2013 The Death Penalty is Fair and Effective It is a complicated determination, that of a death sentence. In The Essays? The topic of the death . Paper In Thesis? penalty in the United States is based primarily on ethics and ultimately whether the death penalty is considered to in the media essays, be acceptable (or even effective) is how to write a decision that begins as a moral quandary. Violence Essays? One must ponder one’s faith before considering statistics in support of the laws defined individually by the states that have implemented the death penalty.

The. Capital punishment , Capital punishment in the United States , Crime 3062 Words | 8 Pages. As defined by The American Heritage Dictionary, free will means “The power of making free choices that are unconstrained by introduction for essays external circumstances or by an . Essays? agency such as fate or divine will.” My stance on the topic : Free will? I don’t think it’s “free” if perhaps everything one does has a purpose behind it. Thoughts/ Quotes about free will: “The will is never free- it is always attached to an object, a purpose. It is simply the a proposal engine in in the essays, the car- it can’t steer.” – Joyce Cary Support: . Causality , Choice , Experiment 862 Words | 2 Pages. Rogerian Argument of author in thesis, Genetic Engineered Foods. Rogerian Paper: Genetically Modified Food “Biotechnology has been used for more than 6,000 years for lots of interesting and media essays, practical . purposes: making food such as bread and cheese, preserving dairy products and drinking, fermenting beer” (Biotechnology - Promising a Brighter Future for media the World). Although we do not always realize it, biotechnology is a huge part of our everyday lives, from the medicine we use to custom service, keep us healthy, the fuel we use to take us where we need to go, and even the food we. Food industry , Genetic engineering , Genetically modified food 1154 Words | 3 Pages.

Rogerian: Parenthetical Referencing and Position. ?English 112 / Guidelines for the Rogerian Paper 1. Select a topic from List of Topics under Course Documents . and write a 2 ? - three page, (maximum) Rogerian argument . Present your paper orally to the class from the projector screen for critiquing by your peers and in the, final grading by the instructor. Study Chapter Six (pages 145 - 153) and university roommate essay, refer to Chapters One through Eleven for in the media many specific details and examples of the effective argumentation as needed. Include the Opposing Position, Common Ground. Bibliography , Citation , Error 919 Words | 3 Pages.

addressing our argument to stanford roommate essay, a group of representatives from corporate companies in the country. In 2011 we successfully held a fundraising event . which helped us raise enough funding to support the media activities of our organization. We used the on declaration of independence funding to buy the healthiest vegetables from local farmers and violence in the media, purchase only the naturally raised meat. While our goal is to a proposal paper, fight hunger in the country, we also maintain an in the essays eco-friendly outlook. A clear statement of purpose for the argument After the second paper in thesis financial. Argument , Arguments , Donation 1286 Words | 4 Pages.

Rogerian Argument For Legalization The cannabis plant has been the topic of violence in the media essays, much debate throughout the history . of this country. Many people don't know that it was not the effect of essay, cannabis that originally spurred its banning. It was actually originally the work of the cotton industry who put big money behind illegalization for the plant's mind altering effects. The cotton industry was afraid that hemp, a product of the cannabis plant, would soon overpower the in the media strong hold of cotton since it. Cannabis , Drug , Drug addiction 1174 Words | 3 Pages. An Intro To Argument Week 1 Discussion 1. ?English 122: Composition II An Intro to Argument Argument and Rhetoric An argument's a method for in college communicating a singular . position w/evidence, logic, persuasion. There are essential elements to all valid arguments , though they may take different forms.

1. Claim 3. Counterargument 2. Evidence 4. Rebuttal A successful argument depends upon the balance between these elements. The claim is the basis of the argument . A big opposing viewpoint, called the counterargument, is constantly pushing. Argument , Arguments , Critical thinking 932 Words | 2 Pages. Samantha Clanton Instructor Jade Bittle ENG 112-452 23 March 2013 No Child Left Behind? Or all Children Left Behind?

Standardized Testing has been a . part of education since the mid-1800s. Violence In The Media Essays? In 2002 the essay No Child Left behind Act was put into place, which requires all 50 states to have mandated annual testing. The use of standardized testing in violence, a school can have harsh effects if the scores are too low. It could lead to students being held back, teachers being fired, or if it becomes a big issue. Criterion-referenced test , Education , Multiple choice 916 Words | 3 Pages. Pool of Argument Topics This page contains the a proposal Argument topics for the Analytical Writing section of . the GRE® revised General Test. When you take the test, you will be presented with one Argument topic from this pool. Each Argument topic consists of a passage that presents an argument followed by specific task instructions that tell you how to analyze the argument . Violence In The Media? The wording of second author paper in thesis, some topics in violence in the media, the test might vary slightly from what is presented here.

Also, because there may be multiple versions. Christopher Nolan , Critical thinking , Following 27425 Words | 66 Pages. There are many presentation topics that college students can select. However, a successful presentation is determined by a number of factors, . thus it is important for a student to understand that an drinking in college students interesting presentation topic will not be enough. To start with, students should be armed with the necessary skills to create a captivating presentation. Using images in your college presentation Balance of graphics in your presentation is very important. Although images and beautiful fonts cannot. Coca-Cola , College , Decriminalization 724 Words | 3 Pages. that all living beings strive for violence in the media biological success.

Humans also strive for this success but are often thwarted by society, giving rise to help for essays, a real self and . an ideal self. Disparages between these two selves gives rise to neurosis and psychosis. Rogerian therapy attempts to lead clients to self actualization, realizing what one’s real self desires, with passive and violence in the essays, indirect assistance. Personality Synopsis, Carl Rogers Introduction The purpose of paper, this article is to give a brief biography. Abraham Maslow , Carl Rogers , Clinical psychology 2259 Words | 7 Pages. Preparing and Writing an essays Argument What is a controversial issue? * We should work hard for more money. / We should work less, make less . money and take time off to stanford roommate, enjoy life. Media? Which point do you agree with and why? * In time of binge, economic recession, universities are/are not justified in violence in the media essays, raising tuition. Essay? * Some people believe that university students should be required to attend classes. Others believe that going to class should be optional for students. Which point do you agree with and. Argument , Argument map , Argumentation theory 1348 Words | 7 Pages.

The Pool of Argument Topics This page contains the Argument topics for the analytical writing . section of the GRE General Test. When you take the test, you will be presented with one Argument topic from this pool. The wording of some topics in the test might vary slightly from what is presented here. Therefore, read your test topic carefully and violence in the media essays, respond to the wording as it appears in second in thesis, the actual test. Discuss how well reasoned you find this argument . The following appeared in violence media, an editorial. Christopher Nolan , Following 34924 Words | 111 Pages. love, but to essay on declaration, the Love out there that had somehow rushed into the space we held between us. Violence Media? When we surrender, we don’t surrender to a person, we . Help For Essays? surrender to a part of ourselves that is softer, less controlling, more interested in peace than in argument . It is not a game we play or a dance we do.And the truth is violence in the media essays we all want it so badly. For a lot of us it feels like a dirty secret at first to admit… God forbid we should say, “I want to surrender.” Marianne Williamson, from A Woman’s Worth . Love , Rainer Maria Rilke , Walk This Way 2146 Words | 6 Pages. A Flipped Classroom: Argument Analysis.

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When working collaboratively, you must consider views and ideas of author paper, others working within a specific topic or project. This collaboration should consist of each participant’s ideas or thoughts. These ideas and thoughts should equally contribute to the final outcome or result of. Collaboration , Logic , Rhetoric 1758 Words | 5 Pages. Solving Spring 2013 Assignment 1 Short Argument (10%=Constructing A Short Argument ) Purpose of Assignment • . This is an individual assignment. • This assignment will help students understand the argumentation process involved in in the media essays, critical thinking.

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You can talk about many speech topics , but always refer back to - reinforce - that theme or a thesis. It's the only way the audience will remember your message. 2. Capture the central idea of media, your extemporaneous in one full sentence. Paper In Thesis? It should be a single, declarative sentence. Make sure that you make a specific statement. What do you want.

Critical thinking , Phrase , Point 716 Words | 3 Pages. CORE Arguments, Opinions and suggestions. Each group must select ONE of the Topics below: Research the Topic and Write an essays essay. In preparing their assignments, . students are expected to do a thorough research on the chosen topic and also provide case examples to how to write paper example, illustrate/defend their arguments . Where possible, students are encouraged to use UAE/GULF OR Middle-East organizations as an example. In agreement with the lecturer, they may also change the topic slightly to suit a special topic -area in their organization. . Critical thinking , Human resource management , Management 497 Words | 2 Pages. 2013) RNTREF002 Essay topic three The important problems of the mind module are: how do we understand the in the media nature of mental events, their . relation to the physical world and physical events and author in thesis, fundamentally the problems with other minds. This essay essentially serves to evaluate whether the Zombie argument against Cartesian Dualism is sound by: criticising the Zombie argument through analysing the violence in the media validity of each premise of the Zombie argument , defending the write Zombie argument against one of its objections. Argument , Consciousness , Mind 1641 Words | 4 Pages. Euthanasia: The Argument Euthanasia is defined as; “the intentional killing by act or omission of a dependant human being for his or her . alleged benefit. Media Essays? (The key word here is “intentional”. If death is not intended, it is how to write a proposal paper example not an in the media act of euthanasia.)” Source: www.euthanasia.com/definition The act of euthanasia is a very controversial issue which has many supporters, both for university roommate essay and against and has been a topic of the world’s media, time and time again. There are arguments both for and against.

Argument , Arguments , Euthanasia 2012 Words | 6 Pages. [pic] PCR0025 Critical Thinking All Foundation ONLINE NOTES Topic 3: Argumentation . In The Media Essays? • Argument is a claim put forward and defended with reasons. Argumentative Essay? • Arguments are composed of: 1. Violence Media Essays? Premises 2. Conclusion • Statement: A sentence that can sensibly be regarded as either true or false. • 2 things about statements: 1. A sentence may be used to express more than one statement. 2. Not all sentences are statements. Analogy , Argument , Critical thinking 919 Words | 6 Pages. University and Argument Essay Topic. Argument essay Topic : Any student caught cheating in school or college exams should be automatically dismissed. Do you agree or . disagree?

I. Introduction General statement: Students in university, these days have followed the path of trying to do anything to achieve best grade. And they may think cheating on violence in the an exam might seem like an easy way for a student to get a good grade and get ahead in his or her career. Thesis statement: Although there are many. Argument , Argument map , Cheating 519 Words | 2 Pages. Research Paper and Argument Topics.

1 The University Writing Center “Because writers need readers” Research Paper and Argument Topics Race and a proposal example, Ethnicity . Gender and Sexuality Multiculturalism and Diversity Advertising and Marketing Economic Issues Environmental Issues Media Issues Consumerism and Convenience Culture TV and Film Sports and Entertainment Race and Ethnicity • • • • • • • • • • • Should racial profiling be a legitimate law enforcement policy in in the essays, some areas? Should Affirmative Action for state university enrollment. Argument , Education in the United States , Federal government of the United States 4459 Words | 15 Pages. ?Andrew Jones 10.25.13 EN140 MWF 8-8:50 Ethical/ Evaluation Argument Health benefits from banning smoking Smoking should be banned on . college campuses because it is in the best interest of public health to do so. Argumentative Of Independence? For this ethical/ evaluation argument assignment I have chosen the topic of the media increase of health benefits from the write a proposal paper example ban of smoking on violence in the media college campuses. Second Author Paper? I chose this topic because I feel very strongly about the fact that there is an increased number of college students that smoke. Nicotine , Passive smoking , Smoking 1314 Words | 4 Pages. ? Three arguments Word critical argument analysis essay, focuses on three professional essays and essays, how these authors . Introduction? construct their arguments using opinion and evidence. There are many different ways in which authors can construct their arguments . Violence In The? In the highly controversial topic of legalizing marijuana I found three very different styles of arguments in which the authors backed up their opinions with facts.

In my reading of these arguments each writer had there own style. The. Cannabis , Global Marijuana March , Hashish 734 Words | 5 Pages. Essay Topics for CPHL 550 – Knowledge, Truth and Belief “Plan your work, work your plan”. – Vince Lombardi General Instructions Make sure to . How To Write Example? consult the violence in the media essays Basic Style Guidelines Document and the Tips for Writing an Effective CPHL 550 Essay Document in order to confirm the details for each assignment (both the writing service minor and the major essay) especially with respect to in the essays, the minimal length requirement. Since there is no final exam in this course, your essay assignments need to be treated with the same attention.

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Violence In The Media: essays …

drawing essays Figure 1. Donald Judd, Untitled , 1967. Graphite on paper, 10 3/4 x 13 1/4 inches (27.3 x 33.7 cm) Art © Estate of Donald Judd/Licensed by VAGA, New York, NY. System, Seriality, and the Handmade Mark in Minimal and Conceptual Art. The exhibition Notations: Contemporary Drawing as Idea and essays Process presents drawings produced by seminal American artists associated with Minimal, Postminimal, and Conceptual art, as well as a selection of works by artists of subsequent generations who continue to engage with the aesthetic strategies and procedures of their predecessors.

1 In some cases the drawings on view are self-contained and autonomous, but often they are studies for how to proceed to make a sculpture, an how to example, installation, or a site-specific work. The grid, the diagram, and essays serial ordering (all methods of drinking de-skilling or noncomposition) are regularly employed as foils to subjective decision making. Yet the examination of a broad array of drawings by violence essays these practitioners reveals distinctive bodies of work that, far from being impersonal or uniform, are as diverse as the artists are innovative. While some artists tended to foreground thought and knowledge as the essential components of an artwork, others focused on the materials themselves with an equal degree of concentration. On Declaration Of Independence? In both instances the visual and physical allure of their drawings is no less important than the violence in the ideas that they convey. Central to the exhibition is the paradoxical compatibility between the stanford essay use of a priori systems and the individual touch of the artist in an artistic environment that embraced an antiemotive “serial attitude” as something akin to an ethos. In The? 2 Much has been made of the purported purging of authorial intentionality and subjectivity in Minimal and Conceptual art, which placed a heightened emphasis on analytic rigor, systematic planning, and serial methodologies. This move is often characterized as a “cool” reaction to the “hot” psychologically transparent practices and rhetoric of heroic individualism associated with modernist abstraction in the United States in the post–World War II era. 3 The purported shift from in college students essay, hot to cool—from gestural disclosure to rational, antiauthorial approaches—was, however, never definitive or clear-cut.

Drawing, a medium long associated with both the violence in the media activity of ideation and the manual act of creation, played a central role in attempts by artists associated with the process-based and conceptually rigorous practices of Minimal and Conceptual art to author in thesis, open up established understandings of aesthetic production as well as a generative site for the ongoing negotiation of the violence relationship between subjective and objective approaches, between touch and measured distance. Binge Drinking In College Essay? Drawing thus offers a compelling means through which to reexamine the received narrative of the art of violence in the media essays this period. Artists engaged in a variety of strategies and agendas—including Dan Flavin, Eva Hesse, Barry Le Va, and Sol LeWitt—readily embraced drawing’s salient attributes—its mobility and elasticity, its economy and antimonumental character, its exploratory nature, and its facility for acting as a mediator, translating abstract concepts into form—to produce works that are notational, diagrammatic, and argumentative essay reductive. Often small in media scale, delicate, playful, and service highly nuanced, these drawings suggest a level of intimacy and direct encounter with the artists’ thoughts and violence essays intentions that is less readily apparent in their work in other mediums. How To Write Paper Example? Drawing is approached here as a powerful if underrecognized lens through which to explore the productive tensions between rational calculation and subjective expression, concept and in the essays material form, and precision and stanford university roommate essay disorder that animate much of the in the media essays work on view in this exhibition.

Industrial Fabrication / Individual Notation. Employing basic forms, industrial materials, and serial repetition, artists associated with Minimalism, such as Donald Judd and Dan Flavin, sought to free art from symbolic emotional content and pretensions about its transcendent quality. While the established narrative of Minimalism emphasizes an in thesis, obscuring, even an erasure, of the artist’s hand through the use of industrial fabrication and readymade materials, the preparatory and working drawings (necessities given that their art objects were fabricated industrially) produced by violence in the media these artists reintroduce the drinking in college hand into the movement’s legacy. 4 By revealing the idea of the system and the plan for construction, these drawings expose the violence media essays process of creation and stand as vital counterpoints to the sterile perfection of the standardized industrial Minimalist object. The “literalist” position held by Minimalism in the mid-1960s is exemplified by the work of Judd, whose 1965 essay “Specific Objects” set out the basic tenets of his approach: creating self-sufficient and self-referential objects based on material specificity. Using industrial materials such as Plexiglas, aluminum, and rolled steel rather than fine art materials, Judd placed his work in a continuum with the mass-produced commodity as opposed to the history of sculpture. The artist employed drawing to work out structure, proportion, and spatial relationships for sculpture but never considered his works on paper as anything other than technical instructions, a type of introduction language used to convey information for the execution of standardized three-dimensional forms. In The? Hand-drawn works providing dimensions and material specifications, such as his untitled drawing of 1967 (fig. How To A Proposal Example? 1), paradoxically support his decidedly hands-off management style of delegation and violence media supervision. 5. While Judd understood his working drawings as necessary supporting material for the creation of stanford university roommate his serial sculptural works, drawing played a more essential role in the practice of his Minimalist contemporary Dan Flavin.

The artist drew incessantly and for a variety of purposes: to notate an idea or create working drawings for artworks in violence in the media other media; to make quick renderings of nature; to execute finished presentation drawings for sale; and to commission “final finished diagrams”—drawn in colored pencil on how to a proposal paper, graph paper by his wife, son, and studio assistants—which acted as records of his site-specific fluorescent light installations. 6 The act of violence media essays drawing increased in importance once Flavin’s practice shifted, around 1963, to making works employing readymade fluorescent lamps bought from the hardware store and installed by technicians. He used commonplace materials (ballpoint pen, office paper) to sketch and document possible arrangements for site-specific installations. Although he tended to downplay the graphic value of these drawings, they were essential to his practice, existing as residues of roommate thought. Flavin was always careful to save and date each of these works on paper in order to record the sequence in which they were made.

Drawing thus became a way of projecting and violence in the essays planning situations and a means of archiving those plans, relating both to the future and to the past. 7. Figure 2. Dan Flavin, Four drawings for the John Weber Gallery, Feb. 7, 1973; Feb. 8, 1973; Feb.

12, 1973; Feb. 14, 1973 , 1973. Ballpoint pen on typing paper, 4 sheets, each 8 1/2 x 11 inches (21.6 x 27.9 cm) © 2012 Stephen Flavin / Artists Rights Society (ARS), New York. Four Drawings for author, the John Weber Gallery, Feb. 7, 1973; Feb. 8, 1973; Feb. Violence In The Media Essays? 12, 1973; Feb.

14, 1973 (1973; fig. 2) is representative of these working drawings. Rendered in pen on white typing paper, these minimal graphic renderings are composed of a series of what Flavin described as “impetuous marks, sudden summary jottings . . . those of a kind of intimate, idiosyncratic, synoptic shorthand (by now, mainly my ‘style’).” 8 The four drawings that make up this group were produced over the course of a week. Flavin scribbled over and rejected the earliest drawing in the series (Feb. 7, 1973), while the word final is written and underlined in his expressive handwriting at the top of the sheet dated February 14, 1973. Memos run all over these pages, supplying information such as color, location, and dimensions. Fluorescent tubes are represented by writing out the name of the color horizontally and vertically (daylight, warm white, cool white, red, yellow, etc.), literally drawing with words.

One drawing includes a series of introduction help for essays dedications to friends: “to Kay Foster,” “to Donna.” Personal dedications were common in Flavin’s practice, referring not only to friends but also to art historical figures such as Barnett Newman and to political events, as in a 1970s drawing dedicated “to the essays young woman and men murdered in Kent State and Jackson State Universities and to their fellow students who are yet to be killed.” The inclusion of author paper in thesis these personal notes lends Flavin’s work a poetic and political dimension not normally associated with the technical, industrial look of Minimalism. Drawing proved less well suited to the overall goals of media essays other artists associated with Minimalism, for whom the medium gave undue preference to the conceptual over the physical and temporal experience of their sculptural work and the ambiguities of that experience. The emphasis on the gap between conception and perception, or between the idea of the work and the experience of essay on declaration of independence its physical form, inherent to drawing, troubled artists such as Carl Andre, who rejected a conceptual label for his practice, framing it instead as overtly materialist. 9 The viewer of his floor pieces, exemplary works of Minimalist art, was meant to be ambulatory: “My idea of a piece of sculpture is a road. That is, a road doesn’t reveal itself at any particular point or from any particular point. . . In The? . Most of how to write a proposal paper my works—certainly the successful ones—have been ones that are in violence essays a way causeways—they cause you to make your way along them or around them or to move the spectator over them.” 10 An Andre floor sculpture is intended to provide a phenomenological encounter, extending into and articulating its surroundings; viewers can stand on top of and move across his horizontal works and not see them, experiencing a given piece through a tactile rather than an optical relationship.

Figure 3. Carl Andre, Blue Lock , 1966. Colored ink and felt-tip pen on graph paper, 8 3/4 x 9 3/4 inches (22.2 x 24.8 cm) Gift of Sally and how to a proposal paper example Wynn Kramarsky, The Museum of Modern Art, New York. Art © Carl Andre/Licensed by media VAGA, New York, NY. Given the importance that he placed on introduction for essays, both the materiality of the sculptural object and the viewer’s spatial encounter with it, Andre was resistant to violence in the essays, resolving a given work in a single, fixed image, be it in the form of a preparatory drawing or an installation photograph. In Blue Lock (1966; fig. Second? 3), for example, he attempted to violence essays, work against introduction help, the static properties of drawing in order to convey both the conceptual simplicity and the perceptual complexity of the sculptural work to in the media essays, which it relates. 11 Working on graph paper, he registered his idea for a floor sculpture as both a square and a rectangle made up of repeated rectangular units.

In two adjacent grids he filled the regimented squares of the paper with handwritten letters that spell out the on declaration of independence words lock and violence essays blue . Written in all caps, the stanford roommate letters run in multiple directions, suggesting manifold views—the viewer is in the essays compelled not only to read across the grids but also to turn the sheet around to view it from diverse vantage points. 12. Richard Serra similarly grappled with the disjunction between the fixed nature of the preparatory sketch and the physical experience of his large-scale sculptural work in space and time. Argumentative On Declaration? Early in his career, the artist produced small working drawings executed in graphite on paper, denoting a process at once notational and in the projective. Untitled (Preliminary Drawing for L.A.

County Museum) (1971; fig. 4) provides a bird’s-eye view of an initial concept for a sculpture made of industrial sheets of write example steel, one that was destined to remain unrealized. While the drawing offers an overview of the violence essays form of the sculpture, it remains unconcerned with the on declaration of independence perceptual shifts unfolding over time and the transient experiences of a specific site, which would become a major feature of Serra’s monumental sculptural projects. 13 The artist soon rejected such working drawings altogether, stating: “I never make sketches or drawings for essays, sculptures. I don’t work from an university roommate, a priori concept or image. Sculptors who work from drawings, depictions, illustrations, are more than likely removed from the working process with materials and construction.” 14. Figure 4. Richard Serra, Untitled (Preliminary Drawing for violence in the media, L.A. County Museum) , 1971. Graphite on paper, 17 3/4 x 23 1/2 inches (45.1 x 59.7 cm) © 2012 Richard Serra / Artists Rights Society (ARS), New York. Figure 5. Richard Serra, Titled Arc , 1986. Oil crayon on custom writing service, paper, 19 x 24 1/2 inches (48.3 x 62.2 cm) © 2012 Richard Serra / Artists Rights Society (ARS), New York.

Drawing would remain a fundamental practice for Serra nevertheless. Essays? He began to reverse the medium’s traditional role, however, sketching his sculptures after they were completed as a means of of independence thinking through formal problems and understanding what he sees and in the encounters. 15 With Tilted Arc (1986; fig. 5), one in a series of sketches in notebooks made with oil crayon, drawing becomes a means to revisit a piece, in this case his work of public art of the same title constructed in 1981 at drinking in college essay, Federal Plaza in New York. While photographs of the sculpture fulfill the roles of violence documentation and dissemination, Serra’s drawing—consisting of a few bold, black lines in oil crayon—performs another function, that of distilling his physical experience of the piece on-site. The process of making the write a proposal paper work is palpable: the violence in the media essays actions of the hand, its movement and pressure, are visible and introduction for essays felt on the surface of the paper. Much like the quick notations and personal dedications found in Flavin’s work—which subvert the cold, detached character of his light installations—Serra’s physically expressive and gestural drawing works to destabilize the aggressive character of violence media his monumental sculptural practice.

Begun during the prolonged public hearings and how to paper example lawsuits relating to Tilted Arc , which would result in the removal and ultimate destruction of the sculpture in 1989, this series of sketches also retains what Yve-Alain Bois has described as a “sense of mourning,” a sober look back at a project that can never again be experienced in real time and space. 16. Prescribed Procedures / Amorphous Results. By the late 1960s, the emphasis on in the media, materiality and physicality of experience, evinced in both Andre’s and Serra’s distinctive approaches to drawing and sculpture, was pervasive. Many artists attempting to extend or, in some cases, react against the principles of Minimalism explored process, performance, installation, and site-specific approaches to creation. Barry Le Va’s opening up of the boundaries of sculptural experience with his antiformal dispersals of stanford roommate nontraditional materials exemplifies a larger shift away from the pristine, manufactured look of Minimalism toward an exploration of the ways in which a work of art literally comes into being. The term Process art encompassed practices like Le Va’s, in media which the importance of a work of art is understood to lie more in in college its materiality and violence how it was made than in the final product. Process-based works frequently took the form of ephemeral actions, such as the performance of common tasks detached from introduction, subjectivity, as well as temporary, site-specific installations. Preparatory and presentation drawings are often the only remaining witnesses (besides documentary photographs) to the transient events that these artists enacted and the materials that they engaged with.

Figure 6. Barry Le Va, Wash , 1969. Ink on graph paper mounted on paper, 18 1/2 x 22 inches (47 x 55.9 cm) © 2012 Barry Le Va. In 1966 Le Va began producing his distribution pieces, floor-based installations that rejected traditional notions of violence media essays a strictly ordered composition. Essay? These works exploited the properties of everyday materials—felt, chalk, flour, broken glass, mineral oil, iron oxide—and the relative relationships established through loose juxtaposition. Despite the accidental nature of Le Va’s mutable compositional strategy, drawing remained central to violence in the, his sculptural practice, in the form of diagrammatic sketches or flexible blueprints that brought order to the formlessness that characterizes his contingent installations.

17 He drew “to be alone with myself,” “to discover and clarify my thoughts,” “to visualize my thoughts,” and binge students “to convince myself some thoughts are worth pursuing.” 18 Certainly one can detect a sense of disegno in his conception of drawing—that is, a projective and idealist belief in the medium as uniquely capable of revealing the artist’s mind at work and exposing the mechanism of the creative process. Yet Le Va’s employment of the diagram (a form typically associated with architecture, engineering, and mathematics rather than with art) in essays works such as Wash (1968; fig. Introduction For Essays? 6), a study for a distribution piece, complicates the violence media romantic idea of drawing as an unmediated reflection of the mind of an individual as registered through the university roommate autographic mark. His methodical ordering of space on violence media, the page belies the accidental appearance and unstable dispersal of materials that define his distribution pieces by revealing the predetermined nature of the overall arrangement of the work. Second Author? 19 Orderly and precise in process and appearance, his works on paper enact a reversal of the traditional understanding of drawing as a flexible site for spontaneous creation. In Le Va’s case, spontaneity is ultimately deferred onto the unfolding of events occurring in the space of the gallery itself. Wash (1968) exemplifies the generative tension between the in the essays random and the orderly that Le Va actively cultivated in his early works. The drawing includes passages of graph paper on university, which the artist first mapped out the media distribution of pieces of felt and binge drinking essay shards of glass. Le Va and many of his contemporaries frequently used graph paper, not so much for its look as for its suitability for the transfer of ideas into form. As the artist Mel Bochner reasoned, “graph paper reduces the tedious aspects of drawing, and permits the easy and violence media immediate alignment of random thoughts into conventionalized patterns of reading and forming.” 20 Le Va cut up the uniform graph paper into random shapes, repositioned the fragments atop a sheet of white paper, and connected the pieces through a series of colorful stains made using red, black, and gray ink.

The artist’s handwritten inscription placed under the drawing makes it clear that the stains are meant to reference specific materials: red or black iron oxide and mineral oil. This diagram was apparently never realized in sculptural form but is related to paper, a series of impermanent installations that Le Va would complete at violence, the Walker Art Center in Minneapolis in 1969. These installations involved minerals in custom essay writing different states of saturation (wet, damp, and dry) and their potential chemical reactions. Substances were poured directly on the gallery floor and were allowed to dissolve and run into essays one another, eventually drying, cracking, and staining over time. 21 The strict formal economy of Le Va’s drawn plan simultaneously contradicts and enhances the flux, flexibility, and physical damage unleashed in essay of independence the space of the gallery. Figure 7. William Anastasi, Untitled (Subway Drawing) , 1973. Graphite on paper, 7 5/8 x 11 1/8 inches (19.4 x 28.3 cm) Mildred Lane Kemper Art Museum, Washington University in St. Louis, Gift of Mr. and essays Mrs.

Gary Wolff, 2011. © 2012 William Anastasi. Figure 8. William Anastasi, Untitled (Subway Drawing) , 2009. Graphite on on declaration, paper, 8 x 11 1/2 inches (20.3 x 29.2 cm) © 2012 William Anastasi. William Anastasi’s subway drawings (figs. 7, 8) engage a similar process-driven dynamic—highly prescribed yet open to unforeseen occurrences—while reflecting a very different intention from the deliberate, diagrammatic approach employed by Le Va.

Beginning in the late 1960s, Anastasi developed his unconventional series of “unsighted” works—blind drawings, pocket drawings, and subway drawings—as means of abdicating rather than establishing control by submitting the graphic process to chance. To create his ongoing series of subway drawings, he sits on a subway train, places a sheet of paper on a board on violence in the media essays, his lap, takes a pencil in each hand, rests the points on the paper, closes his eyes, dons headphones to block out all ambient sound, and lets the movement of his body in transit determine the composition of each work. Rather than relying on vision, he creates the work by assigning himself a simple task and arbitrary limits: each drawing is produced in the time it takes him to university roommate essay, get from point A to point B on the subway and is finished when he gets off the train at a predetermined destination. By drawing blind and incorporating chance, Anastasi subverts the tradition of drawing as a synthesis of vision, knowledge, and manual skill. In carrying out this prescribed act, which is both meditative and absurd, the artist places his focus squarely on phenomenology.

Phenomenological impact became a key aspect in some strains of Minimalist sculptural production in in the essays the late 1960s as artists such as Carl Andre, Robert Morris, and essay service Richard Serra were preoccupied not only with the process of production but also with how a work was perceived by the viewer in real time and violence media space. 22 These artists often forced the spectator’s body into introduction help a confrontation with an object or a visual field as a form of defamiliarization, exhorting viewers to become conscious of their own processes of perception in order to see beyond the prevailing conventions of art. With Anastasi’s more modest drawings, however, it is not the spectator’s active experience of a sculptural work that is highlighted but that of the artist himself. His body becomes a key instrument in the overall performance, serving as a passive implement that absorbs and media records motion. Always consisting of two scribbled clusters of lines that move in all different directions, the subway drawings read as residues of a durational performance and as records of Anastasi’s travels across New York, revealing the temporal experience of the artist. Systematic in help for essays approach and detached in procedure, this brand of embodied mark making nevertheless proffers a significant reopening to the bodily subject. Sol LeWitt pushed the process- and systems-based approach to artistic production in still another direction. Rejecting any focus on violence in the media, the performing body of the artist, he elevated the working through of an how to write a proposal, idea to a position of importance, which he understood as equal to violence media, that of the resulting work.

Though initially associated with Minimal art, LeWitt emerged as one of the leaders of Conceptual art. In his “Paragraphs on stanford university roommate, Conceptual Art” (1967), which became in violence in the media effect a manifesto for the movement, he crystallized a radically divergent move in postwar art toward praxis as idea based: “If the artist carries through his idea and makes it into visible form, then all the university essay steps in the process are of violence in the essays importance. The idea itself, even if not made visual, is as much a work of art as any other aesthetic product. All intervening steps—scribbles, sketches, drawings, failed works, models, studies, thoughts, conversations—are of interest.” 23 Given the importance LeWitt placed on introduction, the “intervening steps” in the manifestation of an violence media, idea, both drawing and language (visual experience and linguistic experience) hold a privileged place in his body of work. Figure 9. Sol LeWitt, Three-Part Variations on Three Different Kinds of Cubes 331 , 1967. Ink and graphite on paper, 11 3/4 x 23 3/4 inches (29.8 x 60.3 cm) © 2012 The LeWitt Estate / Artists Rights Society (ARS), New York. Three-Part Variations on Three Different Kinds of author paper Cubes 331 (1967; fig. 9) is a drawing of a series of three-dimensional structures related to concurrent sculptural explorations.

LeWitt plotted different permutations on three-cube constructions or, as he wrote at the top of the drawing in capital letters: “three three-part variations in which the violence top and bottom cube have one side removed (3) while the introduction help for essays middle cube is solid (1).” The artist replaced traditional principles of violence in the media essays sculptural organization and in college essay compositional relational order with a chosen permutational system that can be rationally calculated and violence in the media thus understood by the viewer either mentally or in material form. The cubes are drawn in introduction help isometric perspective (a technique commonly employed in technical or engineering drawings) on a hand-drawn grid. The use of the grid emphasizes the media essays uniformity of the cubes: each cube is two grid squares tall and two grid squares wide. The grid and the technical rendering give the binge in college appearance of an ordered sequence intended to provide objective visual information, expressing a universalizing vision of industrial-age perfection based on serial production. It appears that LeWitt used this language of efficiency in order to subvert it, however. 24 The seemingly endless potential for variation implied in in the essays his system gives the essay on declaration of independence lie to the fundamental arbitrariness of his concept and the subjective decision making that orders it. He employed the grid, the cube, and serial structure as checks to violence, subjective choices, yet his drawing and its system of stanford roommate rules paradoxically work to reaffirm the creative role of the artist. 25.

Although the serial is commonly associated with the rationalism found in violence Minimalist works by artists such as Judd, Andre, and Flavin, it always holds within it a relationship to write paper example, its opposite: the random or antirational. LeWitt acknowledged as much in his second text on Conceptual art, “Sentences on Conceptual Art” (1969), making a distinction between the logical approach of in the media essays scientific or industrial production and that of aesthetic experience: 1. Conceptual artists are mystics rather than rationalists. Write Paper? They leap to conclusions that logic cannot reach. 2. Rational judgments repeat rational judgments.

3. Irrational judgments lead to new experience. 4. Violence Media Essays? Formal art is essentially rational. 5. Irrational thoughts should be followed absolutely and logically. Introduction? 26. LeWitt uses the word irrational loosely in this text. Violence? Employed in this context as a means of signaling the polar opposite of rational judgment and sound logic, the binge drinking students essay term also implies a type of action that is completely beyond human control, a meaning that seems to move outside the bounds of the dichotomy that he strives to set up between the violence in the media essays rational and the subjective.

While LeWitt held on to a systematic approach to artistic production, he recognized that only by moving past the tautological thinking of rationalist aesthetic approaches could one arrive at new forms and experiences. Figure 10. Eva Hesse, Untitled , 1967. Ink on graph paper, 11 x 8 1/2 inches (27.9 x 21.6 cm) © The Estate of Eva Hesse, Hauser #038; Wirth Zurich London. Eva Hesse also probed the relationship between order and disorder, between serial methodology and essay antirational processes, yet her work delineates an opposing limit of this practice. Although she was part of the circle of media Minimalist and Conceptual artists who worked and socialized in introduction New York in the 1960s and 1970s, her artistic production is often characterized as Postminimal, a term that acknowledges her move to open up the constrained structures of Minimalism by giving geometric form an organic and bodily dimension. Hesse’s work is notable for the way in violence in the media which it implicates the body in new ways—the body understood as a psychic site rather than the help for essays neutral or passive one of Anastasi’s subway drawings and much Minimalist art. Drawing played a central part in this expansion of in the media essays boundaries. By 1966 Hesse began making a series of binge drinking in college essay drawings using black ink on graph paper. She worked with the controlled grid, but was equally interested in the potential for in the media, accident, embarking on what has frequently been described as a form of compulsive repetition and accumulation.

The artist herself gave credence to such an interpretation with statements such as, “Series, serial, serial art, is another way of repeating absurdity.” 27 Her untitled drawing of 1967 (fig. 10) is exemplary of this series of works in which the basic element of the circle is repeated over and over to binge essay, fill in the form of the violence essays grid. Although relatively sparse, the drawing exudes a concentrated intensity that works to heighten the psychological dimension of Minimalism’s embrace of geometry and repetition. Help? The recurrence of the circle involves a mechanical gesture, yet the end result is decidedly uneven; upon closer inspection, the irregularities of each circle reveal themselves. Diversity and variation are achieved not as a function of rules of permutation, as in LeWitt’s drawing, but as a result of the uneven pressure of the artist’s hand on the paper. This endows the drawing with a decidedly personal, tactile dimension that opposes the strict reductivism of LeWitt, her Conceptualist contemporary. Minimal and in the media Conceptual Drawing and its Legacy. Although their approaches and agendas were notably distinct, all the artists discussed here were working through the fallout of paper in thesis a modernist vision of art and society, self-consciously rethinking and challenging established traditions of in the media essays artistic practice. Created during a liminal moment between modernism and postmodernism, their drawings represent less a stylistically coherent body of work than an intensive mode of thinking about redefining the binge material and conceptual conditions of art-making.

While attempting to move away from the emotive claims of violence essays their Abstract Expressionist predecessors, artists associated with Minimal, Postminimal, and Conceptual practices wanted to uphold the freedom of experimentation with form and materials initiated by artists such as Jackson Pollock. Argumentative Essay On Declaration Of Independence? The climate of analysis and material experimentation of the 1960s and violence essays 1970s in the United States not only addressed the artwork and standards of artistic production but also extended to writing service, the critique of institutions, the role of the artist and essays audience, the dissemination of stanford university roommate essay artworks in the market, and the industrial conditions of modern society. 28 Drawing was certainly not the only medium to in the media essays, reflect these tendencies, but its diverse implementation, immediate character, and ability to convey process made it a particularly apt means of registering the generative tension between analytical strategy and individual creation that underpins much of the author paper in thesis art produced at this time. Figure 11. N. Dash, Commuter , 2011. Graphite on paper, 14 3/4 x 9 3/4 inches (37.5 x 24.8 cm) In the four decades since the 1970s, several significant paradigm shifts have reshaped the political and social world in which we live, including the rapid rise of the digital age and an increased global connectedness accompanied by greater mobility, standardization, and homogenization. Art has continued to adapt to these new conditions. Many of the violence in the media essays issues that motivated the artistic struggle to second paper in thesis, work through and against modernist endgames—the idea that art is in the essays predicated on a progressive model of invention or the essentialist notion that something like the absolute essence of painting or sculpture exists—are of little interest to second author paper, subsequent generations of media essays artists. 29 They no longer feel compelled to how to paper, grapple with the rules of violence essays such a limited approach; nor are they constrained by postmodernism’s negative and nostalgic appraisal of the modernist past. Rather, artists working today openly reference and revise the art historical past, including the history of how to a proposal modernism, exploiting the possibility afforded them of media freely engaging with the creative process to argumentative, arrive at new forms and ideas.

Figure 12. Jill O’Bryan, 40,000 Breaths Breathed Between June 20, 2000 and March 15, 2005 , 2000-05. Graphite on paper, 60 x 60 inches (152.4 x 152.4 cm) The artists N. Violence Media Essays? Dash and Jill O’Bryan, for instance, adopt a range of service modernist strategies, including repetitive and serial processes as well as body and media essays performance art, all of which emerged in the 1960s and early 1970s. They take these strategies down markedly different paths, however, placing overt emphasis on aesthetic gratification, material exploration, and individual gesture coupled with a strong engagement with the tasks and rhythms of daily life. Essay Of Independence? Rather than explicitly linking the practice of drawing to large-scale sculptural installations and other conceptual projects—as was the case in the work of Flavin, Serra, Le Va, and LeWitt—both artists embark on highly hermetic forms of creation through which the properties of violence in the essays drawing are probed and second author developed. They highlight labor-intensive methods of in the essays manual craft and the materiality of the specific medium being employed yet also implicate the on declaration artist’s body. N. Dash’s Commuter Works (ongoing since 2010) move beyond the violence in the essays notebook, the preparatory sketch, and the traditional form of pencil on paper (fig. 11). Her works appear conceptually in stanford essay line with Anastasi’s subway drawings in that they record the in the media artist’s bodily movements while riding public transportation in stanford roommate New York, but they are created without the use of a drawing implement, revealing a desire for a more immediate connection between the maker’s hand and the materials.

Dash produces these works by folding, rubbing, creasing, and refolding sheets of paper and then applying pigment (graphite or indigo powder) to them by hand in order to highlight the progressive accumulation of wrinkles and marks. Her practice is based less on violence in the media essays, an exploration of automatic processes, chance occurrences, or a sublimation of the subjective self, as are Anastasi’s subway drawings, and more on an examination of the means by which bodily expression can be embedded into the support materials associated with painting, sculpture, and drawing. Jill O’Bryan’s large-scale 40,000 Breaths Breathed between June 20, 2000 and March 15, 2005 (2000–2005; fig. A Proposal Paper? 12) also turns drawing into essays a recording device as the artist meticulously tracked her individual breaths over the course of five years, using only pencil marks on paper. In a manner similar to the accumulative gestures seen in Hesse’s gridded drawing, the graphic patterns that emerge across O’Bryan’s large sheet are not rigid or precise but rather organic and irregular, undulating with a gradation of essay tones based on the amount of pressure the artist exerted on the paper. The final drawing appears as nothing less than a test of endurance, one that resonates with certain approaches to body art and feminist agendas.

With its emphasis on time and repetition, the work emerges as a fragile, obsessive attempt to explore the conditions of selfhood and register something of the daily experience of art. Figure 13. Janet Cohen, San Francisco at New York, 10-8-2000, Mets win 4-0 , 2004. Graphite on paper, 9 1/4 x 13 inches (23.5 x 33 cm) © Janet Cohen, 2004. Janet Cohen’s ongoing practice of meticulously charting popular activities such as the seemingly random events of a baseball game offers yet another variation on violence, this internal and indexical approach to mark making, one that appears to speak simultaneously to the fragmentation of contemporary life and nostalgia for a sense of second paper completeness. Her clustered diagrams of overlapping numbers and letters in black and white pencil are the media result of her own idiosyncratic system for estimating locations where pitches cross the custom essay service strike zone and the results of the actual pitches during a given baseball game. Works such as San Francisco at New York, 10-8-2000, Mets win 4–0 (2004; fig.

13) exist as both abstract representations of media these events and as highly individual catalogs of time and thought whose underlying system is understood by the artist alone. What exactly is at stake today in this intertwined desire for an immediacy of touch within prescribed limits? Marking up a blank piece of paper—experiencing a concrete and immediate way of making art within an evolving digital landscape that often removes us from experiencing “the real” and ourselves—appears to offer itself as an inherently human activity. Stanford University? The use of predetermined parameters complements such individual efforts, providing a means of organizing thought, tracking time, and perhaps bringing a sense of order and consistency to the disorder of daily events. Drawing has always served as a vital means of violence in the media making sense of the world around us and the forces that animate it, mediating rather than mirroring our lived condition. In the binge drinking 1960s and 1970s artists grappled with industrial conditions then shaping their everyday lives by engaging systematic and programmatic procedures to violence media essays, guide their work. In many instances, the how to write a proposal example pronounced engagement with seriality and repetitive marking, charting, and diagramming offered a means not of adopting the rational logic of industry but of highlighting art’s potential escape from it.

It seems apt in today’s contemporary climate of ongoing upheaval and perpetual advancement of digital technologies that the desire to draw, to mark, to track is embraced by artists who, much like their historical predecessors, seek to expand the capacities for invention while working to regain a sense of human experience. 1. All the works in the exhibition are drawn from the collection of Sally and Wynn Kramarsky, New York; several of them have been donated by the couple to The Museum of Modern Art, New York. Over the past few decades, the violence media Kramarskys have amassed a collection that provides an stanford university roommate, impressive overview of in the media essays canonical Minimal, Postminimal, and Conceptual art, while continuing to second author in thesis, collect works by emerging artists whose work is in line with this core aesthetic. 2. The term comes from Mel Bochner, “The Serial Attitude,” Artforum 16 (December 1967): 28–33. 3. See Irving Sandler, “The New Cool-Art,” Art in America 53 (February 1965): 96-101, and violence media Pepe Karmel, “An In-Between Era,” in New York Cool: Painting and a proposal paper example Sculpture from the NYU Art Collection (New York: Grey Art Gallery, New York University, 2008), 21–35. In recent years, several scholars have begun to media essays, rewrite the received history of postwar American art. See, for example, Catherine Craft, An Audience of Artists: Dada, Neo-Dada, and the Emergence of Abstract Expressionism (Chicago: University of Chicago Press, 2012). 4. Write A Proposal Example? The language of late capitalist efficiency and violence media essays organization informed many of these projects as artists mimicked the division of labor into mental and manual realms by commissioning others to realize their ideas or, in essay some cases, sidestepping actual material production altogether. Essays? For an in-depth analysis of the relationship between artistic production, labor, and the shifting socioeconomic context in 1960s America, see Helen Molesworth, Work Ethic (Baltimore: Baltimore Museum of Art, 2003), and university roommate essay Julia Bryan-Wilson, Art Workers: Radical Practice in the Vietnam War Era (Berkeley: University of California Press, 2009).

5. Judd’s drawings, and the significant revision of the role of the artist that they suggest, would meet with controversy later in his career, when the Italian collector Giuseppe Panza authorized the fabrication of sculptures from the artist’s working drawings without Judd’s permission. Judd declared these works forgeries, insisting that his oversight was required in the fabrication of his work. See Susan Hapgood, “Remaking Art History,” Art in America 78 (July 1990): 114–17. See also Molesworth, Work Ethic , 163. 6. In The? Numerous publications since the 1970s have explored the role that drawing played in custom writing Flavin’s artistic practice. See Emily S. Rauh, Dan Flavin: Drawings and Diagrams, 1963–1972 (Saint Louis: Saint Louis Art Museum, 1973); Dan Flavin: Drawings, Diagrams, and violence essays Prints, 1972–1975 (Fort Worth, TX: Fort Worth Art Museum, 1977); and stanford university roommate Dan Flavin Drawing (New York: Morgan Library, 2012). 7. Briony Fer, “Nocturama: Flavin’s Light Diagrams,” in Dan Flavin: New Light , ed. Jeffrey Weiss (Washington, DC: National Gallery of violence in the media Art, 2006), 46. 8. Dan Flavin, statement on view at the Kunstmuseum Basel in service the exhibition Zeichnungen, Diagramme, Duckgraphik, 1972 bis 1975, und Zwei Installationen in fluoreszierendem Licht von Dan Flavin (1975), reprinted in Dan Flavin (1976), 6. 9. Media? In a 1970 interview with Phyllis Tuchman, Andre states, “I am certainly no kind of write example conceptual artist because the physical existence of my work cannot be separated from the idea of it….My art springs from my desire to have things in the world which would otherwise never be there.” See Phyllis Tuchman, “An Interview with Carl Andre,” Artforum 8 (June 1970): 60.

10. Violence Media? Andre, ibid., 57. 11. Drinking Students? The drawing relates to Andre’s planar floor sculptures Blue Lock Trial (1966), Blue Lock (1967), and Black Lock (1967). The latter two works have since been destroyed. 12.

Christine Mehring provides a compelling reading of this drawing. See Mehring, “Carl Andre: Blue Lock, 1966,” in Drawing Is Another Kind of Language: Recent American Drawings from violence in the media essays, a New York Private Collection , by drinking in college students Pamela M. Lee and Christine Mehring (Cambridge, MA: Harvard University Art Museums, 1997), 28–29. 13. Yve-Alain Bois, “Descriptions, Situations, and Echoes: On Richard Serra’s Drawings,” in Richard Serra: Drawings, Zeichnungen, 1969–1990 (Bern, Switzerland: Bentelli, 1990), 17. 14. Richard Serra, “Interview: Richard Serra and Bernard Lamarche-Vadel,” New York, May 1980, first published in Artistes (November 1980), reprinted in Richard Serra: Interviews, Etc., 1970–1980 (Yonkers, NY: Hudson River Museum, 1980), 146. 15. For an in-depth analysis of Serra’s approach to drawing across his career, see Bernice Rose, Michelle White, and Gary Garrels, eds., Richard Serra Drawing: A Retrospective (Houston: Menil Collection, 2011). 16. Bois, “Descriptions, Situations, and Echoes,” 28.

17. Klaus Kertess has aptly described Le Va’s drawings as having “the clarity and conviction of a topographic map or a computerized analysis of atmospheric turbulence.” See Klaus Kertess, “Between the Lines: The Drawings of media essays Barry Le Va,” in binge in college students essay Barry Le Va, 1966–1988 (Pittsburgh: Carnegie Mellon Art Gallery, 1988), 27. 18. Barry Le Va, “Notes” (undated), reprinted in Accumulated Vision: Barry Le Va (Philadelphia: Institute of Contemporary Art, 2005), 89. 19. Ingrid Schaffner has perceptively noted that while Le Va’s installation photographs might tell us “how Le Va sees his installations,” it is his drawings that “tell us how to read them.” See Ingrid Schaffner, “Accumulated Vision and Violence, Barry Le Va,” in Accumulated Vision , 61. 20. Mel Bochner, “Anyone Can Learn to media, Draw,” press release for Drawings , Galerie Heiner Friedrich, Munich, 1969, reprinted in Bochner, Solar System #038; Rest Rooms: Writings and Interviews, 1965–2007 (Cambridge, MA: MIT Press, 2008), 61.

21. Marcia Tucker describes the 1969 installations in Tucker, “Barry Le Va: Work from essay on declaration of independence, 1966–1978,” in Barry Le Va: Four Consecutive Installations and violence essays Drawings, 1967–1978 (New York: New Museum, 1978), 12. For photographs of the installation, see ibid., 24, 25. 22. See particularly Robert Morris’s series of essays, “Notes on Sculpture” (February 1966) and author paper in thesis “Notes on Sculpture, Part II” (October 1966), reprinted in Continuous Project Altered Daily: The Writings of Robert Morris (Cambridge, MA: MIT Press, 1993). 23. Sol LeWitt, “Paragraphs on Conceptual Art,” in violence in the essays Open Systems: Rethinking Art, c. 1970 , ed. Roommate Essay? Donna DeSalvo (London: Tate Modern, 2005), 180; originally published in Artforum 5 (Summer 1967). 24.

James Meyer, Minimalism: Art and media Polemics in the Sixties (New Haven, CT: Yale University Press, 2001), 187. 25. Stanford? In the 1960s LeWitt was attracted to the cube and the square as “grammatical devices from which the violence work may proceed.” He went on to elaborate: “They are standard and universally recognized, no initiation being required of the viewer. . . . Help? The use of a square or cube obviates the necessity of inventing other forms and reserves their use for invention.” See Sol LeWitt, untitled statement in violence in the essays Lucy Lippard et al., “Homage to the Square,” Art in America 55 (July–August 1967): 54. 26. LeWitt, “Sentences on Conceptual Art,” in Sol LeWitt: Critical Texts , ed.

Adachiara Zevi (Rome: I Libri di AEIOU, 1994), 88, originally published in 0–9 (New York, 1969). 27. Eva Hesse, quoted in Lucy Lippard, Eva Hesse (New York: De Capo, 1976), 96. 28. Josef Helfenstein, “Concept, Process, Dematerialization: Reflections on second in thesis, the Role of Drawings in Recent Art,” in Drawings of Choice from a New York Collection , ed. Josef Helfenstein and Jonathan Fineberg (Champaign, IL: Krannert Art Museum, 2002), 13. 29. Yve-Alain Bois examines the end of modernist painting in terms of play and gaming, suggesting that painting is never an endgame but a game comprising different matches. Violence In The? See Yve-Alain Bois, Painting as Model (Cambridge, MA: MIT Press, 1990), 241–42. Jordan Kantor also takes up Bois’s analogy in her essay “Drawing from the Modern: After the Endgames,” in binge students Drawing from the Modern, 1975–2005 (New York: Museum of Modern Art, 2005), 53–54. Error: Twitter did not respond.

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